Exhibitions
Past exhibitions
23.10.2026 – 25.10.2026 · Ingolstädter Straße 45–47, 80807, Munich, Germany
ARTMUC 2026
From Friday 23rd to Sunday 25th October, the state capital will once again be all about international art: ARTMUC, Bavaria’s largest art event and the highlight of Munich’s Art Autumn, is bringing more than 190 international galleries, projects and artists to Munich and will be showcasing the diversity of the global art market over three days.
With more than 190 juried international artists, galleries and collectives, ARTMUC is once again presenting a broad international spectrum of artistic perspectives this autumn. With participants from more than 15 countries, the international art scene is once again showcased at this year’s event. The range of works on display at ARTMUC extends from painting to sculpture, collage, photography and digital art. Participants come from countries including Portugal, Switzerland, the UK, Austria, Italy, France, Belgium, Spain and overseas, such as Australia, Korea, Brazil, etc.
The current autumn edition also features international galleries and projects that have been active at other international fairs such as Art Karlsruhe, ART Basel Hong Kong and ART Busan – including Tableau Gallery from Seoul, South Korea; Gallery Steiner from Vienna, Austria; and ARTLAB Gallery from Ponzano Veneto, Italy; as well as, as a special highlight, Sheen Gallery from Shanghai, China. However, ARTMUC also places a strong emphasis on local ties and supports Munich-based institutions such as the ‘Gesellige Vereinigung Bildender Künstler Münchens e.V.’ (GVbKM), which will once again be showcasing its members in a dedicated exhibition space at the event in October.
07.08.2026 – 30.08.2026 · Kaiserliche Hofburg Innsbruck , Innsbruck, Austria
Imperiale Resonanzen Kaiserliche Hofburg Innsbruck 2026
Kunsthaus & Plattform Mikizzaner Art Exhibition "Imperial Resonances" with the support of Plattform Mikizzaner August 7–30, 2026, Imperial Palace Innsbruck in cooperation with the Austrian Federal Real Estate Agency
Concept: Curator Emil Kranewitter and Michaela Luckmann
The exhibition "Imperial Resonances" unfolds the artistic tension in the Imperial Palace Innsbruck, exploring the interplay between history and the present, between the architecture of power and individual expression. In the historic rooms of the Imperial Palace Innsbruck, contemporary positions converge, reflecting, transforming and reinterpreting the legacy of imperial buildings.
Plattform Mikizzaner sees itself as a cultural network that understands art as a space for resonance with social events. With this exhibition, the palace becomes a place of dialogue - between past and future, between monument and person.
The works on display address continuity and change, order and movement, memory and vision. They offer glimpses into the invisible lines that connect history and the present, and invite us to question our own place in the web of collective resonances.
Thus, Imperial Resonances is more than just an exhibition; it is an artistic statement about the transformative power and responsibility of cultural memory.
30.01.2026 – 10.02.2026 · Gallery of the National Council of the Slovak Republic West Wing of the Slovak National Museum Bratislava Castle, Bratislava, Slovakia
SVITLANA DUDENKO. PAINTING AND GRAPHICS
Svitlana Dudenko is a painter and graphic artist working at the intersection of art, architectural thinking, and material experimentation. Her practice explores the interaction of color and line through painting, graphic art, and mixed media. Her works are distinguished by dynamic geometry, precise composition, and a carefully calibrated rhythm of form.
Svitlana Dudenko is the founder and creator of Kosmo-Orphic Symbolism (KOS) — an independent artistic movement and visual language developed as a contemporary continuation of the traditions of the Ukrainian avant-garde, Symbolism, and Orphism.
The artist has extensive teaching and exhibition experience. She developed and taught a course in materials science for monumental artists in collaboration with Boris Kosarev, a prominent representative of the Ukrainian avant-garde and an internationally recognized artist.
She is the author of specialized publications on porcelain and faience, as well as other professional texts. Her artistic practice encompasses numerous exhibitions and site-specific installations in urban environments.
01.10.2024 – 15.10.2024 · Palazzo della Cancelleria. Piazza della Cancelleria 1, Rome, Italy
Paintings and graphics, Ukrainian porcelain collection by Svitlana Dudenko
Press Release
Embassy of Ukraine to the Holy See
and to the Sovereign Military Order of MaltaPresents
From October 1 to October 15, 2024SVITLANA DUDENKO
PAINTINGS AND GRAPHICS
UKRAINIAN PORCELAIN COLLECTIONCurated by Giuseppe Ussani d’Escobar
Palazzo della Cancelleria
Piazza della Cancelleria 1,Rome, Italy
The solo exhibition of Svitlana Dudenko, held under the prestigious patronage and support of the Embassy of Ukraine to the Holy See and the Sovereign Military Order of Malta, will open on Tuesday, October 1, at 17:00 in the distinguished setting of the Palazzo della Cancelleria, a jewel of Renaissance architecture in the heart of Rome, just steps from Piazza Navona and Campo de’ Fiori. Conceived by His Excellency Andrii Yurash, Ambassador of Ukraine to the Holy See, organized by Iryna Skab for the Embassy of Ukraine to the Holy See with the significant collaboration of Oleksandr Popov, and curated by art critic and writer Giuseppe Ussani d’Escobar, the exhibition will be open to the public until October 15.
The exhibition features works by the renowned Ukrainian artist Svitlana Dudenko, who collaborated with the celebrated Ukrainian avant-garde artist Borys Kosariev, developing her own distinctive, expressive, and intense style. Dudenko is an architect and designer, an “Honored Artist of Ukraine,” founder and curator of the “Smalta” Art Gallery in Kharkiv, a distinguished professor at the Kharkiv State Academy of Design and Arts, and an Honorary Citizen of Kharkiv, a city tragically devastated by Russian bombardments and attacks. The exhibition showcases postwar Ukrainian porcelain figurines, passionately collected and meticulously studied by Svitlana Dudenko, who has dedicated significant publications and research to Ukrainian porcelain. In this regard, porcelain expert Liudmyla Karpinska- Romaniuk states in the exhibition catalogue: “Fragile, delicate, and refined porcelain might seem ill-suited to represent the realities of life. Yet athletes, playing children, caring parents, carefree bathers, and dancers, brought together, create an extraordinary image of life in a great and beautiful country. It is a mirror of culture and daily life, reflecting the classical canons of art from that period. It was then that porcelain figurines, vivid sculptural representations of ‘reality,’ became a national form and expression of Ukrainian art.”
The exhibition’s curator, Giuseppe Ussani d’Escobar, writes in his essential catalogue essay: “The exhibition we present centers on one woman: the artist Svitlana Dudenko, an expert and collector of porcelain from her homeland, Ukraine. Exodus is a word with a powerful, intense, and violent charge: before us is a woman deprived of her land who, with titanic courage, continues to convey messages of profound meaning and spirituality to the world through her art and her refined collection of porcelain, which tells the vibrant and thrilling story of Ukraine, identified with its rich traditions of sentiment and narrative conveyed through images.” The critic draws a spiritual parallel between Dudenko and Sonia Terk Delaunay (Odessa, 1885-Paris, 1979), writing: “Dudenko’s sequence of ‘Three Moons’ (2024) instinctively and immediately brings me to the Orphic sensibility of Delaunay, who was also Ukrainian. This Orphism was nourished by continuous metamorphosis and the spiritual movement of form, constantly generated and regenerated by halos of light and the interplay of colors, with shades becoming rarefied expressions of the soul, a luminous vision, and a mystical revelation, even linked to a theosophical experience of understanding material that transforms into pure, uncorrupted, and incorruptible light.” Referring to Dudenko’s work Glory to Ukraine (2023), he states it is “a song of hope that aspires to and invokes, in the perfection of the circle, the return to harmony; circles that intersect in a dance moving infinitely in search of the symphony of planets and stars that ceaselessly vibrate above us in the immensity of the Cosmos.”
The exhibition is open from October 2 to October 15, 2024
Palazzo della Cancelleria – Piazza della Cancelleria 1 – Rome
Monday to Saturday, 10:00-13:00 and 15:00-18:00; closed on SundaysFor information:
Embassy of Ukraine to the Holy See and to the Sovereign Military Order of Malta+ 390639378800, +393276788826